A# Mixolydian Pentatonic Guitar Scale
Guitar scale in Baritone (B Standard) tuning — fretboard diagram
A# Mixolydian Pentatonic in Baritone (B Standard) — Notes and Intervals
The A# Mixolydian Pentatonic scale is a dominant-flavored five-note scale that emphasizes the relaxed, bluesy side of the Mixolydian mode. On Guitar, the notes are A#, D, D#, F, G#. It is an excellent choice for soloing over dominant chords when you want to maintain the simplicity and flow of a pentatonic structure. Commonly used in Blues, Rock, Country, Funk. Notable players include Jimi Hendrix, Dickey Betts, Derek Trucks. Use over dominant 7th chords (7, 9, 13). Simpler than full Mixolydian but captures the essential dominant color.
Notes: A#, D, D#, F, G#
Intervals: 1P, 3M, 4P, 5P, 7m
Degrees: 1 2 3 4 b5
Formula: 4-H-W-WH-W
Number of notes: 5
Tuning: Baritone (B Standard) (B-E-A-D-F#-B)
Also known as: indian
About Baritone (B Standard) Tuning
The baritone guitar is tuned a perfect fourth lower than standard guitar (B-E-A-D-F#-B), producing a distinctly beefy tone with serious low-end depth that sits perfectly between guitar and bass. Its rich, dark voice has made it a secret weapon in film scoring, ambient music, and moody songwriting where you need that unmistakable low-end warmth without losing clarity.
Unlike simply tuning a standard guitar down (which causes floppy strings and muddy tone), the baritone guitar uses a longer scale length (typically 27"-30") designed specifically for lower tunings. This gives each note clarity and definition even in the lowest register. Session musicians, film composers, and bedroom producers alike reach for the baritone when they need dark, atmospheric textures, doom-laden riffs, or simply a different sonic palette that standard guitar can't deliver.
Notable artists: Pat Metheny, Nels Cline, Brian Setzer, Baritone session players in Nashville
Best for: Moody songwriting, film scoring, ambient textures, doom metal, and any production that needs low-end depth with clarity
Musical Character
Emphasizes the b7 characteristic of the Mixolydian mode within a pentatonic framework, ideal for quick dominant-flavored runs.
Chord Progressions Using This Scale
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
Explore This Scale in Other Tunings
- A# Mixolydian Pentatonic in Standard Tuning
- A# Mixolydian Pentatonic in Drop D
- A# Mixolydian Pentatonic in DADGAD
- A# Mixolydian Pentatonic in Open G
- A# Mixolydian Pentatonic in 7-string
- A# Mixolydian Pentatonic in 8-string
- A# Mixolydian Pentatonic in Drop C
- A# Mixolydian Pentatonic in Drop B
- A# Mixolydian Pentatonic in Open D