B Dorian Guitar Scale
Guitar scale in Baritone (B Standard) tuning — fretboard diagram
B Dorian in Baritone (B Standard) — Notes and Intervals
The B Dorian scale is the second mode of the major scale, offering a soulful and sophisticated minor sound. On Guitar, it contains the notes B, C#, D, E, F#, G#, A. Because it features a major sixth, it sounds brighter and more hopeful than the natural minor. It is the go-to scale for jazz, funk, and modal blues. The diatonic chords of B Dorian are Bm7, C#m7, DMaj7, E7, F#m7, G#m7b5, AMaj7. Commonly used in Funk, Jazz, Fusion, Neo-Soul, Blues. Notable players include Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notes: B, C#, D, E, F#, G#, A
Intervals: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Degrees: 1 2 b3 4 5 6 b7
Formula: W-H-W-W-W-H-W
Number of notes: 7
Tuning: Baritone (B Standard) (B-E-A-D-F#-B)
Diatonic Chords
Bm7 — C♯m7 — DMaj7 — E7 — F♯m7 — G♯m7♭5 — AMaj7
About Baritone (B Standard) Tuning
The baritone guitar is tuned a perfect fourth lower than standard guitar (B-E-A-D-F#-B), producing a distinctly beefy tone with serious low-end depth that sits perfectly between guitar and bass. Its rich, dark voice has made it a secret weapon in film scoring, ambient music, and moody songwriting where you need that unmistakable low-end warmth without losing clarity.
Unlike simply tuning a standard guitar down (which causes floppy strings and muddy tone), the baritone guitar uses a longer scale length (typically 27"-30") designed specifically for lower tunings. This gives each note clarity and definition even in the lowest register. Session musicians, film composers, and bedroom producers alike reach for the baritone when they need dark, atmospheric textures, doom-laden riffs, or simply a different sonic palette that standard guitar can't deliver.
Notable artists: Pat Metheny, Nels Cline, Brian Setzer, Baritone session players in Nashville
Best for: Moody songwriting, film scoring, ambient textures, doom metal, and any production that needs low-end depth with clarity
Musical Character
The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.
Chord Progressions Using This Scale
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- i – iv – i – V (Minor Blues)Blues — Melancholy
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected