B Six Tone Symmetric Guitar Scale
Guitar scale in Baritone (B Standard) tuning — fretboard diagram
B Six Tone Symmetric in Baritone (B Standard) — Notes and Intervals
The B Six Tone Symmetric scale is a mathematical abstraction that divides the octave into six equal parts. On Guitar, its notes are B, C, D#, E, G, G#. It lacks a tonic or a home note, making it perfect for modern composers who want to avoid traditional keys and explore total tonal suspension. Commonly used in Contemporary Classical, Experimental, Avant-Garde. Notable players include Bela Bartok, Olivier Messiaen. Use for atonal or polytonal composition. Not chord-specific — this is a tool for breaking free of traditional harmony.
Notes: B, C, D#, E, G, G#
Intervals: 1P, 2m, 3M, 4P, 5A, 6M
Degrees: 1 b2 3 4 #5 6
Formula: H-WH-H-WH-H-WH
Number of notes: 6
Tuning: Baritone (B Standard) (B-E-A-D-F#-B)
About Baritone (B Standard) Tuning
The baritone guitar is tuned a perfect fourth lower than standard guitar (B-E-A-D-F#-B), producing a distinctly beefy tone with serious low-end depth that sits perfectly between guitar and bass. Its rich, dark voice has made it a secret weapon in film scoring, ambient music, and moody songwriting where you need that unmistakable low-end warmth without losing clarity.
Unlike simply tuning a standard guitar down (which causes floppy strings and muddy tone), the baritone guitar uses a longer scale length (typically 27"-30") designed specifically for lower tunings. This gives each note clarity and definition even in the lowest register. Session musicians, film composers, and bedroom producers alike reach for the baritone when they need dark, atmospheric textures, doom-laden riffs, or simply a different sonic palette that standard guitar can't deliver.
Notable artists: Pat Metheny, Nels Cline, Brian Setzer, Baritone session players in Nashville
Best for: Moody songwriting, film scoring, ambient textures, doom metal, and any production that needs low-end depth with clarity
Musical Character
Divides the octave into 6 mathematically equal parts — a scale without a home. Perfect for composers who want to intentionally avoid any tonal center.