E Enigmatic Guitar Scale
Guitar scale in Baritone (B Standard) tuning — fretboard diagram
E Enigmatic in Baritone (B Standard) — Notes and Intervals
The E Enigmatic scale was invented as a musical puzzle and famously used by Giuseppe Verdi. On Guitar, the notes are E, F, G#, Bb, C, D, D#. It has an unstable and surreal sound because it lacks the traditional fourth and fifth degrees, creating a gliding effect that challenges the listener's expectations. Commonly used in Classical, Experimental, Film Scores. Notable players include Giuseppe Verdi, Igor Stravinsky. Not chord-specific — this is a melodic scale for creating surreal, non-functional passages. Use over sustained pedal tones or atonal contexts.
Notes: E, F, G#, Bb, C, D, D#
Intervals: 1P, 2m, 3M, 5d, 6m, 7m, 7M
Degrees: 1 b2 3 4 b5 b6 7
Formula: H-WH-W-W-W-H-H
Number of notes: 7
Tuning: Baritone (B Standard) (B-E-A-D-F#-B)
About Baritone (B Standard) Tuning
The baritone guitar is tuned a perfect fourth lower than standard guitar (B-E-A-D-F#-B), producing a distinctly beefy tone with serious low-end depth that sits perfectly between guitar and bass. Its rich, dark voice has made it a secret weapon in film scoring, ambient music, and moody songwriting where you need that unmistakable low-end warmth without losing clarity.
Unlike simply tuning a standard guitar down (which causes floppy strings and muddy tone), the baritone guitar uses a longer scale length (typically 27"-30") designed specifically for lower tunings. This gives each note clarity and definition even in the lowest register. Session musicians, film composers, and bedroom producers alike reach for the baritone when they need dark, atmospheric textures, doom-laden riffs, or simply a different sonic palette that standard guitar can't deliver.
Notable artists: Pat Metheny, Nels Cline, Brian Setzer, Baritone session players in Nashville
Best for: Moody songwriting, film scoring, ambient textures, doom metal, and any production that needs low-end depth with clarity
Musical Character
Invented as a musical puzzle — lacks the traditional 4th and 5th degrees, creating a gliding, rootless sensation. Verdi used it in his Ave Maria to challenge conventional harmony.