F Hirajoshi Guitar Scale
Guitar scale in Baritone (B Standard) tuning — fretboard diagram
F Hirajoshi in Baritone (B Standard) — Notes and Intervals
The F Hirajoshi scale is the most iconic Japanese scale, originally used for tuning the koto. On Guitar, it contains the notes F, G, Ab, C, Db. Its poignant intervals create a wistful, traditional sound that has been adopted by rock guitarists to add an oriental edge to modern music. Commonly used in Japanese, Rock, Metal, Ambient, Film Scores. Notable players include Joe Satriani, Marty Friedman, Miyavi. Use over minor chords, sus2, and open string drones. Works beautifully with ambient effects and reverb for atmospheric textures.
Notes: F, G, Ab, C, Db
Intervals: 1P, 2M, 3m, 5P, 6m
Degrees: 1 2 b3 4 b5
Formula: W-H-4-H-4
Number of notes: 5
Tuning: Baritone (B Standard) (B-E-A-D-F#-B)
About Baritone (B Standard) Tuning
The baritone guitar is tuned a perfect fourth lower than standard guitar (B-E-A-D-F#-B), producing a distinctly beefy tone with serious low-end depth that sits perfectly between guitar and bass. Its rich, dark voice has made it a secret weapon in film scoring, ambient music, and moody songwriting where you need that unmistakable low-end warmth without losing clarity.
Unlike simply tuning a standard guitar down (which causes floppy strings and muddy tone), the baritone guitar uses a longer scale length (typically 27"-30") designed specifically for lower tunings. This gives each note clarity and definition even in the lowest register. Session musicians, film composers, and bedroom producers alike reach for the baritone when they need dark, atmospheric textures, doom-laden riffs, or simply a different sonic palette that standard guitar can't deliver.
Notable artists: Pat Metheny, Nels Cline, Brian Setzer, Baritone session players in Nashville
Best for: Moody songwriting, film scoring, ambient textures, doom metal, and any production that needs low-end depth with clarity
Musical Character
The most iconic Japanese scale — its wide intervals create beautiful string-skipping patterns on guitar. Originally a Koto tuning, it translates perfectly to the guitar's range.