F Lydian Dominant Guitar Scale
Guitar scale in Baritone (B Standard) tuning — fretboard diagram
F Lydian Dominant in Baritone (B Standard) — Notes and Intervals
The F Lydian Dominant scale, also known as the Acoustic scale, sounds bright, quirky, and dominant all at once. On Guitar, its notes are F, G, A, B, C, D, Eb. It is widely used in jazz and animation music to solo over dominant chords that do not resolve in the traditional way. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notes: F, G, A, B, C, D, Eb
Intervals: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Degrees: 1 2 3 #4 5 6 b7
Formula: W-W-W-H-W-H-W
Number of notes: 7
Tuning: Baritone (B Standard) (B-E-A-D-F#-B)
Also known as: lydian b7, overtone
About Baritone (B Standard) Tuning
The baritone guitar is tuned a perfect fourth lower than standard guitar (B-E-A-D-F#-B), producing a distinctly beefy tone with serious low-end depth that sits perfectly between guitar and bass. Its rich, dark voice has made it a secret weapon in film scoring, ambient music, and moody songwriting where you need that unmistakable low-end warmth without losing clarity.
Unlike simply tuning a standard guitar down (which causes floppy strings and muddy tone), the baritone guitar uses a longer scale length (typically 27"-30") designed specifically for lower tunings. This gives each note clarity and definition even in the lowest register. Session musicians, film composers, and bedroom producers alike reach for the baritone when they need dark, atmospheric textures, doom-laden riffs, or simply a different sonic palette that standard guitar can't deliver.
Notable artists: Pat Metheny, Nels Cline, Brian Setzer, Baritone session players in Nashville
Best for: Moody songwriting, film scoring, ambient textures, doom metal, and any production that needs low-end depth with clarity
Musical Character
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Chord Progressions Using This Scale
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected