A# Kumoijoshi Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
A# Kumoijoshi in DADGAD — Notes and Intervals
The A# Kumoijoshi scale is a traditional Japanese Koto tuning that produces a tranquil and standard classical sound. On Guitar, the notes are A#, B, D#, F, F#. It is a peaceful variation of the Hirajoshi scale used for centuries in Japanese chamber music. Commonly used in Japanese, Classical, Ambient. Notable players include Kitaro, Takemitsu. Use over minor chords and sustained bass notes. Best in sparse, contemplative arrangements.
Notes: A#, B, D#, F, F#
Intervals: 1P, 2m, 4P, 5P, 6m
Degrees: 1 b2 3 4 b5
Formula: H-4-W-H-4
Number of notes: 5
Tuning: DADGAD (D-A-D-G-A-D)
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
A peaceful variation of the Hirajoshi scale used for centuries in Japanese chamber music. Its refined intervals evoke imperial gardens and tea ceremonies.