B Ichikosucho Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
B Ichikosucho in DADGAD — Notes and Intervals
The B Ichikosucho scale is an ancient Japanese court music scale used in Gagaku ceremonies. On Guitar, it contains the notes B, C#, D#, E, F, F#, G#, A#. It has a Lydian-like structure and is used to evoke a sense of imperial majesty and historical tradition. Commonly used in Japanese, Classical, Film Scores. Notable players include Takemitsu, Hosokawa. Use over Maj7#11 in Japanese-influenced compositions. Adds cultural authenticity to Eastern-themed scores.
Notes: B, C#, D#, E, F, F#, G#, A#
Intervals: 1P, 2M, 3M, 4P, 5d, 5P, 6M, 7M
Degrees: 1 2 3 4 5 6 7 8
Formula: W-W-H-H-H-W-W-H
Number of notes: 8
Tuning: DADGAD (D-A-D-G-A-D)
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
An ancient Japanese court music scale with a Lydian-like structure (#4) that evokes imperial majesty and historical tradition.