D Todi Raga Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
D Todi Raga in DADGAD — Notes and Intervals
The D Todi Raga scale is a meditative morning Raga from the Indian classical tradition. On Guitar, its notes are D, Eb, F, G#, A, Bb, C#. It is associated with deep reflection and philosophical contemplation, using its unique notes to evoke a mood of gentle, serious introspection. Commonly used in Indian Classical, World, Meditation, Film Scores. Notable players include Ravi Shankar, Nikhil Banerjee. Traditionally used over a drone (tanpura). In Western harmony, try over sustained root notes or minimal chord changes.
Notes: D, Eb, F, G#, A, Bb, C#
Intervals: 1P, 2m, 3m, 4A, 5P, 6m, 7M
Degrees: 1 b2 b3 #4 5 b6 7
Formula: H-W-WH-H-H-WH-H
Number of notes: 7
Tuning: DADGAD (D-A-D-G-A-D)
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
A morning raga associated with deep philosophical contemplation. In the Indian system, specific ragas are tied to times of day — Todi is for the hours of introspection at dawn.