E Hirajoshi Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
E Hirajoshi in DADGAD — Notes and Intervals
The E Hirajoshi scale is the most iconic Japanese scale, originally used for tuning the koto. On Guitar, it contains the notes E, F#, G, B, C. Its poignant intervals create a wistful, traditional sound that has been adopted by rock guitarists to add an oriental edge to modern music. Commonly used in Japanese, Rock, Metal, Ambient, Film Scores. Notable players include Joe Satriani, Marty Friedman, Miyavi. Use over minor chords, sus2, and open string drones. Works beautifully with ambient effects and reverb for atmospheric textures.
Notes: E, F#, G, B, C
Intervals: 1P, 2M, 3m, 5P, 6m
Degrees: 1 2 b3 4 b5
Formula: W-H-4-H-4
Number of notes: 5
Tuning: DADGAD (D-A-D-G-A-D)
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
The most iconic Japanese scale — its wide intervals create beautiful string-skipping patterns on guitar. Originally a Koto tuning, it translates perfectly to the guitar's range.