F Messiaen's Mode #6 Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
F Messiaen's Mode #6 in DADGAD — Notes and Intervals
The F Messiaen's Mode #6 scale is a symmetrical scale associated with radiance and light. On Guitar, its notes are F, G, A, Bb, B, C#, D#, E. It creates a uniform coloration that transcends traditional keys, making the music sound brilliant and enlightened. Commonly used in Contemporary Classical, Sacred Music, Experimental. Notable players include Olivier Messiaen. Use for creating a sense of radiant, enlightened calm. Best in sustained, atmospheric contexts.
Notes: F, G, A, Bb, B, C#, D#, E
Intervals: 1P, 2M, 3M, 4P, 4A, 5A, 6A, 7M
Degrees: 1 2 3 4 #5 #6 #7 8
Formula: W-W-H-H-W-W-H-H
Number of notes: 8
Tuning: DADGAD (D-A-D-G-A-D)
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
Associated with radiance and light in Messiaen's system — creates a uniform, brilliant coloration that transcends traditional keys.