F# Mixolydian B6 Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
F# Mixolydian B6 in DADGAD — Notes and Intervals
The F# Mixolydian B6 scale is a melancholic dominant scale used when a song is in a major key but the dominant chord needs to resolve into a minor key. On Guitar, the notes are F#, G#, A#, B, C#, D, E. It provides a bridge between the bright major and the sad minor worlds, perfect for emotional transitions. Commonly used in Jazz, Film Scores, Classical, Melodic Metal. Notable players include Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notes: F#, G#, A#, B, C#, D, E
Intervals: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Degrees: 1 2 3 4 5 b6 b7
Formula: W-W-H-W-H-W-W
Number of notes: 7
Tuning: DADGAD (D-A-D-G-A-D)
Also known as: melodic minor fifth mode, hindu
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.