G# Lydian Guitar Scale
Guitar scale in DADGAD tuning — fretboard diagram
G# Lydian in DADGAD — Notes and Intervals
The G# Lydian scale is the fourth mode of the major scale and arguably the brightest sound in music theory. On Guitar, the notes are G#, A#, C, D, D#, F, G. It is known for its ethereal, dreamlike, and cinematic quality. Because it avoids the pull of the perfect fourth, it is a favorite for film composers wanting to evoke a sense of wonder or otherworldly space. The diatonic chords of G# Lydian are G#Maj7, A#7, Cm7, Dm7b5, D#Maj7, Fm7, Gm7. Commonly used in Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Notable players include Joe Satriani, Steve Vai, John Williams, Hans Zimmer. Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.
Notes: G#, A#, C, D, D#, F, G
Intervals: 1P, 2M, 3M, 4A, 5P, 6M, 7M
Degrees: 1 2 3 #4 5 6 7
Formula: W-W-W-H-W-W-H
Number of notes: 7
Tuning: DADGAD (D-A-D-G-A-D)
Diatonic Chords
G♯Maj7 — A♯7 — Cm7 — Dm7♭5 — D♯Maj7 — Fm7 — Gm7
About DADGAD Tuning
DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.
Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.
Notable artists: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber
Best for: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions
Musical Character
The #4 (tritone from root) eliminates the gravitational pull of the perfect 4th, creating a sensation of weightless suspension — the reason film composers use it for 'wonder' and 'awe'.
Chord Progressions Using This Scale
- I – II – IV – I (Lydian II)Pop / Rock — Euphoric