C# Lydian Dominant Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
C# Lydian Dominant in Double Drop D — Notes and Intervals
The C# Lydian Dominant scale, also known as the Acoustic scale, sounds bright, quirky, and dominant all at once. On Guitar, its notes are C#, D#, F, G, G#, A#, B. It is widely used in jazz and animation music to solo over dominant chords that do not resolve in the traditional way. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notes: C#, D#, F, G, G#, A#, B
Intervals: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Degrees: 1 2 3 #4 5 6 b7
Formula: W-W-W-H-W-H-W
Number of notes: 7
Tuning: Double Drop D (D-A-D-G-B-D)
Also known as: lydian b7, overtone
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Chord Progressions Using This Scale
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explore This Scale in Other Tunings
- C# Lydian Dominant in Standard Tuning
- C# Lydian Dominant in Drop D
- C# Lydian Dominant in DADGAD
- C# Lydian Dominant in Open G
- C# Lydian Dominant in Baritone (B Standard)
- C# Lydian Dominant in 7-string
- C# Lydian Dominant in 8-string
- C# Lydian Dominant in Drop C
- C# Lydian Dominant in Drop B
- C# Lydian Dominant in Open D
- C# Lydian Dominant in Half Step Down
- C# Lydian Dominant in Open E
- C# Lydian Dominant in Open A
- C# Lydian Dominant in Open C