D Bebop Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
D Bebop in Double Drop D — Notes and Intervals
The D Bebop scale is the dominant bebop scale, an eight-note extension of the Mixolydian mode. On Guitar, the notes are D, E, F#, G, A, B, C, C#. By adding a chromatic passing tone, it ensures that the most important notes land on the strong beats, allowing jazz players to create fluid, professional-sounding lines. Commonly used in Jazz, Bebop, Swing, Hard Bop. Notable players include Charlie Parker, Wes Montgomery, Joe Pass, George Benson. Use over dominant 7th chords. The added passing tone ensures that the root, 3rd, 5th, and b7 fall on downbeats during eighth-note runs — the 'trick' that makes bebop sound professional.
Notes: D, E, F#, G, A, B, C, C#
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m, 7M
Degrees: 1 2 3 4 5 6 b7 8
Formula: W-W-H-W-W-H-H-H
Number of notes: 8
Tuning: Double Drop D (D-A-D-G-B-D)
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
Adds a chromatic passing tone (natural 7) to Mixolydian, creating an 8-note scale where chord tones always land on strong beats. This is the secret to authentic bebop phrasing.
Chord Progressions Using This Scale
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage