D# Dorian Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
D# Dorian in Double Drop D — Notes and Intervals
The D# Dorian scale is the second mode of the major scale, offering a soulful and sophisticated minor sound. On Guitar, it contains the notes D#, F, F#, G#, A#, C, C#. Because it features a major sixth, it sounds brighter and more hopeful than the natural minor. It is the go-to scale for jazz, funk, and modal blues. The diatonic chords of D# Dorian are D#m7, Fm7, F#Maj7, G#7, A#m7, Cm7b5, C#Maj7. Commonly used in Funk, Jazz, Fusion, Neo-Soul, Blues. Notable players include Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notes: D#, F, F#, G#, A#, C, C#
Intervals: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Degrees: 1 2 b3 4 5 6 b7
Formula: W-H-W-W-W-H-W
Number of notes: 7
Tuning: Double Drop D (D-A-D-G-B-D)
Diatonic Chords
D♯m7 — Fm7 — F♯Maj7 — G♯7 — A♯m7 — Cm7♭5 — C♯Maj7
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.
Chord Progressions Using This Scale
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- i – iv – i – V (Minor Blues)Blues — Melancholy
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explore This Scale in Other Tunings
- D# Dorian in Standard Tuning
- D# Dorian in Drop D
- D# Dorian in DADGAD
- D# Dorian in Open G
- D# Dorian in Baritone (B Standard)
- D# Dorian in 7-string
- D# Dorian in 8-string
- D# Dorian in Drop C
- D# Dorian in Drop B
- D# Dorian in Open D
- D# Dorian in Half Step Down
- D# Dorian in Open E
- D# Dorian in Open A
- D# Dorian in Open C