F Mixolydian Pentatonic Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
F Mixolydian Pentatonic in Double Drop D — Notes and Intervals
The F Mixolydian Pentatonic scale is a dominant-flavored five-note scale that emphasizes the relaxed, bluesy side of the Mixolydian mode. On Guitar, the notes are F, A, Bb, C, Eb. It is an excellent choice for soloing over dominant chords when you want to maintain the simplicity and flow of a pentatonic structure. Commonly used in Blues, Rock, Country, Funk. Notable players include Jimi Hendrix, Dickey Betts, Derek Trucks. Use over dominant 7th chords (7, 9, 13). Simpler than full Mixolydian but captures the essential dominant color.
Notes: F, A, Bb, C, Eb
Intervals: 1P, 3M, 4P, 5P, 7m
Degrees: 1 2 3 4 b5
Formula: 4-H-W-WH-W
Number of notes: 5
Tuning: Double Drop D (D-A-D-G-B-D)
Also known as: indian
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
Emphasizes the b7 characteristic of the Mixolydian mode within a pentatonic framework, ideal for quick dominant-flavored runs.
Chord Progressions Using This Scale
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
Explore This Scale in Other Tunings
- F Mixolydian Pentatonic in Standard Tuning
- F Mixolydian Pentatonic in Drop D
- F Mixolydian Pentatonic in DADGAD
- F Mixolydian Pentatonic in Open G
- F Mixolydian Pentatonic in Baritone (B Standard)
- F Mixolydian Pentatonic in 7-string
- F Mixolydian Pentatonic in 8-string
- F Mixolydian Pentatonic in Drop C
- F Mixolydian Pentatonic in Drop B
- F Mixolydian Pentatonic in Open D
- F Mixolydian Pentatonic in Half Step Down
- F Mixolydian Pentatonic in Open E
- F Mixolydian Pentatonic in Open A
- F Mixolydian Pentatonic in Open C