F# Minor Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
F# Minor in Double Drop D — Notes and Intervals
The F# Minor scale, also known as the Aeolian mode or natural minor, is the standard for expressing melancholy, introspection, and drama. On Guitar, its notes are F#, G#, A, B, C#, D, E. Its sound is darker and more somber than the major scale, widely used in songwriting to evoke deep emotional narratives and serving as the foundation of traditional minor-key compositions. The diatonic chords of F# Minor are F#m7, G#m7b5, Amaj7, Bm7, C#m7, Dmaj7, E7. Commonly used in Rock, Pop, Metal, Classical, R&B. Notable players include Metallica, Adele, Beethoven. Use over minor triads, m7, m9 chords. Works across the entire minor key. Avoid over dominant chords that want a leading tone.
Notes: F#, G#, A, B, C#, D, E
Intervals: 1P, 2M, 3m, 4P, 5P, 6m, 7m
Degrees: 1 2 b3 4 5 b6 b7
Formula: W-H-W-W-H-W-W
Number of notes: 7
Tuning: Double Drop D (D-A-D-G-B-D)
Also known as: aeolian
Diatonic Chords
F♯m7 — G♯m7♭5 — Amaj7 — Bm7 — C♯m7 — Dmaj7 — E7
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
The relative minor of any major key shares the same notes but starts on the 6th degree, allowing composers to shift mood without changing key signature.
Chord Progressions Using This Scale
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark