G# Prometheus Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
G# Prometheus in Double Drop D — Notes and Intervals
The G# Prometheus scale was developed by the composer Alexander Scriabin as his Mystic Scale. On Guitar, the notes are G#, A#, C, D, F, F#. It is a synthetic hexatonic system designed to reflect his theosophical beliefs and reveal spiritual truths that exist beyond human conceptualization. Commonly used in Contemporary Classical, Impressionist, Experimental, Film Scores. Notable players include Alexander Scriabin, George Crumb. Use over the Mystic Chord (C-F#-Bb-E-A-D) and its inversions. Also works over 7#11 chords as a sophisticated alternative to Lydian Dominant.
Notes: G#, A#, C, D, F, F#
Intervals: 1P, 2M, 3M, 4A, 6M, 7m
Degrees: 1 2 3 #4 5 b6
Formula: W-W-W-WH-H-W
Number of notes: 6
Tuning: Double Drop D (D-A-D-G-B-D)
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
Scriabin's 'Mystic Chord' turned into a scale (1, 2, 3, #4, 6, b7). Designed to reflect theosophical beliefs about spiritual transcendence — neither major nor minor, but something beyond both.
Explore This Scale in Other Tunings
- G# Prometheus in Standard Tuning
- G# Prometheus in Drop D
- G# Prometheus in DADGAD
- G# Prometheus in Open G
- G# Prometheus in Baritone (B Standard)
- G# Prometheus in 7-string
- G# Prometheus in 8-string
- G# Prometheus in Drop C
- G# Prometheus in Drop B
- G# Prometheus in Open D
- G# Prometheus in Half Step Down
- G# Prometheus in Open E
- G# Prometheus in Open A
- G# Prometheus in Open C