G# Whole Tone Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
G# Whole Tone in Double Drop D — Notes and Intervals
The G# Whole Tone scale, also known as Messiaen's Mode of Limited Transposition #1, is a perfectly symmetrical scale that lacks a tonal center, creating a sense of weightlessness and blur. On Guitar, it contains the notes G#, A#, C, D, E, E##. It divides the octave into six equal whole steps, meaning only two unique whole tone scales exist. Popularized by Claude Debussy and used extensively in film scores, it evokes impressionistic, dreamlike atmospheres where no single note feels like home. Use it over augmented triads and 7#5 chords for a floating, surreal effect. Commonly used in Impressionist, Film Scores, Jazz, Ambient, Experimental. Notable players include Claude Debussy, Thelonious Monk, Wayne Shorter, Joe Satriani. Use over augmented triads, 7#5 chords. Perfect for dream sequences, transitions, and any moment where tonality should dissolve.
Notes: G#, A#, C, D, E, E##
Intervals: 1P, 2M, 3M, 4A, 5A, 6A
Degrees: 1 2 3 #4 #5 #6
Formula: W-W-W-W-W-W
Number of notes: 6
Tuning: Double Drop D (D-A-D-G-B-D)
Also known as: messiaen's mode #1
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
Divides the octave into 6 equal whole steps — no half steps means no tension, no resolution, no tonal center. Only 2 possible whole tone scales exist (starting on C or C#).
Chord Progressions Using This Scale
- I – I+ – I6 – I7 (Ascending Augmented)Classical / Pop — Hopeful & Yearning
Explore This Scale in Other Tunings
- G# Whole Tone in Standard Tuning
- G# Whole Tone in Drop D
- G# Whole Tone in DADGAD
- G# Whole Tone in Open G
- G# Whole Tone in Baritone (B Standard)
- G# Whole Tone in 7-string
- G# Whole Tone in 8-string
- G# Whole Tone in Drop C
- G# Whole Tone in Drop B
- G# Whole Tone in Open D
- G# Whole Tone in Half Step Down
- G# Whole Tone in Open E
- G# Whole Tone in Open A
- G# Whole Tone in Open C