G Super Locrian Pentatonic Guitar Scale
Guitar scale in Double Drop D tuning — fretboard diagram
G Super Locrian Pentatonic in Double Drop D — Notes and Intervals
The G Super Locrian Pentatonic scale is an aggressive and highly dissonant subset of the altered scale. On Guitar, it contains the notes G, Bb, B, Db, F. It is a primary tool for advanced jazz guitarists and horn players to create outside tension over altered dominant chords before resolving back to the tonic. Commonly used in Jazz, Avant-Garde, Fusion. Notable players include John Coltrane, Michael Brecker. Use over 7alt, 7#9b13 chords. The pentatonic shortcut for maximum 'outside' tension over altered dominants.
Notes: G, Bb, B, Db, F
Intervals: 1P, 3m, 4d, 5d, 7m
Degrees: 1 b2 3 4 b5
Formula: WH-H-W-4-W
Number of notes: 5
Tuning: Double Drop D (D-A-D-G-B-D)
About Double Drop D Tuning
Double Drop D tuning (D-A-D-G-B-D) lowers both the 6th and 1st strings from E to D, creating a symmetrical frame of D notes around the standard middle four strings. This gives a distinctly resonant, jangly character that has been beloved in folk-rock and acoustic music since the late 1960s.
Neil Young used Double Drop D extensively — 'Cinnamon Girl' features its distinctive droning riff, and 'The Needle and the Damage Done' showcases its intimate fingerpicking potential. Jimmy Page used it on Led Zeppelin's 'Going to California'. Fleetwood Mac's 'The Chain' also employs this tuning. Because only two strings change (both by just one whole step), Double Drop D is one of the easiest alternate tunings to learn — most standard chord shapes on the inner four strings remain unchanged.
Notable artists: Neil Young, Jimmy Page (Led Zeppelin), Fleetwood Mac, Crosby Stills Nash & Young
Best for: Folk-rock songwriting, D-centric acoustic arrangements, droning fingerpicking patterns, and any song that benefits from rich D-string resonance on both outer strings
Musical Character
The most dissonant pentatonic — a 5-note distillation of the Altered scale. Every note creates tension against a dominant chord.
Explore This Scale in Other Tunings
- G Super Locrian Pentatonic in Standard Tuning
- G Super Locrian Pentatonic in Drop D
- G Super Locrian Pentatonic in DADGAD
- G Super Locrian Pentatonic in Open G
- G Super Locrian Pentatonic in Baritone (B Standard)
- G Super Locrian Pentatonic in 7-string
- G Super Locrian Pentatonic in 8-string
- G Super Locrian Pentatonic in Drop C
- G Super Locrian Pentatonic in Drop B
- G Super Locrian Pentatonic in Open D
- G Super Locrian Pentatonic in Half Step Down
- G Super Locrian Pentatonic in Open E
- G Super Locrian Pentatonic in Open A
- G Super Locrian Pentatonic in Open C