A Locrian Major Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
A Locrian Major in Half Step Down — Notes and Intervals
The A Locrian Major scale is a 20th-century hybrid that combines the stability of a major third with the dissonance of a Locrian base. On Guitar, it contains the notes A, B, C#, D, Eb, F, G. It was used by experimental composers to create a sound that is both familiar and alien. Commonly used in Experimental, Contemporary Classical, Avant-Garde. Notable players include Bela Bartok, Gyorgy Ligeti. Use in experimental composition over polytonal or atonal passages. A tool for creating cognitive dissonance.
Notes: A, B, C#, D, Eb, F, G
Intervals: 1P, 2M, 3M, 4P, 5d, 6m, 7m
Degrees: 1 2 3 4 5 b6 b7
Formula: W-W-H-H-W-W-W
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: arabian
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
A major 3rd within a Locrian framework — the contradiction creates a sound that is both familiar (major) and alien (b2, b5) simultaneously.
Explore This Scale in Other Tunings
- A Locrian Major in Standard Tuning
- A Locrian Major in Drop D
- A Locrian Major in DADGAD
- A Locrian Major in Open G
- A Locrian Major in Baritone (B Standard)
- A Locrian Major in 7-string
- A Locrian Major in 8-string
- A Locrian Major in Drop C
- A Locrian Major in Drop B
- A Locrian Major in Open D
- A Locrian Major in Open E
- A Locrian Major in Open A
- A Locrian Major in Double Drop D
- A Locrian Major in Open C