A# Flat Three Pentatonic Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
A# Flat Three Pentatonic in Half Step Down — Notes and Intervals
The A# Flat Three Pentatonic scale is a relatively rare jazz pentatonic scale. On Guitar, it contains the notes A#, C, C#, F, G. It is an effective tool for navigating blues changes, providing a unique way to differentiate between the different chords of a progression with a quirky, minor-key twist. Commonly used in Jazz, Blues, Experimental. Notable players include Joe Henderson, Wayne Shorter. Use over m7, m7b5 chords. Effective for differentiating chords within a blues progression.
Notes: A#, C, C#, F, G
Intervals: 1P, 2M, 3m, 5P, 6M
Degrees: 1 2 b3 4 5
Formula: W-H-4-W-WH
Number of notes: 5
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: kumoi
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
A rare jazz pentatonic that provides an unusual minor-key twist for navigating blues changes with a more angular, modern approach.
Explore This Scale in Other Tunings
- A# Flat Three Pentatonic in Standard Tuning
- A# Flat Three Pentatonic in Drop D
- A# Flat Three Pentatonic in DADGAD
- A# Flat Three Pentatonic in Open G
- A# Flat Three Pentatonic in Baritone (B Standard)
- A# Flat Three Pentatonic in 7-string
- A# Flat Three Pentatonic in 8-string
- A# Flat Three Pentatonic in Drop C
- A# Flat Three Pentatonic in Drop B
- A# Flat Three Pentatonic in Open D
- A# Flat Three Pentatonic in Open E
- A# Flat Three Pentatonic in Open A
- A# Flat Three Pentatonic in Double Drop D
- A# Flat Three Pentatonic in Open C