A# Major Blues Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
A# Major Blues in Half Step Down — Notes and Intervals
The A# Major Blues scale is an extension of the major pentatonic that adds a blue note for extra soul. On Guitar, the notes are A#, C, C#, D, F, G. It blends the happy character of major keys with the expressive, vocal-like slides of the blues, and is a staple in country, swing, and jazz-blues contexts. Commonly used in Blues, Country, Jazz, Swing, Southern Rock. Notable players include B.B. King, Stevie Ray Vaughan, Albert King. Use over major and dominant 7th chords in blues, country, and swing contexts. Mix with minor blues for complete blues vocabulary.
Notes: A#, C, C#, D, F, G
Intervals: 1P, 2M, 3m, 3M, 5P, 6M
Degrees: 1 2 b3 4 5 6
Formula: W-H-H-WH-W-WH
Number of notes: 6
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Adds a 'blue note' (b3) to the major pentatonic, creating a brief clash between major and minor that gives the blues its characteristic sweet-and-sour emotional pull.
Chord Progressions Using This Scale
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- ♭VII – IV – I (Gospel Walk-Up)Blues — Spiritual & Uplifting
Explore This Scale in Other Tunings
- A# Major Blues in Standard Tuning
- A# Major Blues in Drop D
- A# Major Blues in DADGAD
- A# Major Blues in Open G
- A# Major Blues in Baritone (B Standard)
- A# Major Blues in 7-string
- A# Major Blues in 8-string
- A# Major Blues in Drop C
- A# Major Blues in Drop B
- A# Major Blues in Open D
- A# Major Blues in Open E
- A# Major Blues in Open A
- A# Major Blues in Double Drop D
- A# Major Blues in Open C