D Mixolydian B6 Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
D Mixolydian B6 in Half Step Down — Notes and Intervals
The D Mixolydian B6 scale is a melancholic dominant scale used when a song is in a major key but the dominant chord needs to resolve into a minor key. On Guitar, the notes are D, E, F#, G, A, Bb, C. It provides a bridge between the bright major and the sad minor worlds, perfect for emotional transitions. Commonly used in Jazz, Film Scores, Classical, Melodic Metal. Notable players include Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notes: D, E, F#, G, A, Bb, C
Intervals: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Degrees: 1 2 3 4 5 b6 b7
Formula: W-W-H-W-H-W-W
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: melodic minor fifth mode, hindu
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.
Explore This Scale in Other Tunings
- D Mixolydian B6 in Standard Tuning
- D Mixolydian B6 in Drop D
- D Mixolydian B6 in DADGAD
- D Mixolydian B6 in Open G
- D Mixolydian B6 in Baritone (B Standard)
- D Mixolydian B6 in 7-string
- D Mixolydian B6 in 8-string
- D Mixolydian B6 in Drop C
- D Mixolydian B6 in Drop B
- D Mixolydian B6 in Open D
- D Mixolydian B6 in Open E
- D Mixolydian B6 in Open A
- D Mixolydian B6 in Double Drop D
- D Mixolydian B6 in Open C