D Mixolydian Pentatonic Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
D Mixolydian Pentatonic in Half Step Down — Notes and Intervals
The D Mixolydian Pentatonic scale is a dominant-flavored five-note scale that emphasizes the relaxed, bluesy side of the Mixolydian mode. On Guitar, the notes are D, F#, G, A, C. It is an excellent choice for soloing over dominant chords when you want to maintain the simplicity and flow of a pentatonic structure. Commonly used in Blues, Rock, Country, Funk. Notable players include Jimi Hendrix, Dickey Betts, Derek Trucks. Use over dominant 7th chords (7, 9, 13). Simpler than full Mixolydian but captures the essential dominant color.
Notes: D, F#, G, A, C
Intervals: 1P, 3M, 4P, 5P, 7m
Degrees: 1 2 3 4 b5
Formula: 4-H-W-WH-W
Number of notes: 5
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: indian
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Emphasizes the b7 characteristic of the Mixolydian mode within a pentatonic framework, ideal for quick dominant-flavored runs.
Chord Progressions Using This Scale
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
Explore This Scale in Other Tunings
- D Mixolydian Pentatonic in Standard Tuning
- D Mixolydian Pentatonic in Drop D
- D Mixolydian Pentatonic in DADGAD
- D Mixolydian Pentatonic in Open G
- D Mixolydian Pentatonic in Baritone (B Standard)
- D Mixolydian Pentatonic in 7-string
- D Mixolydian Pentatonic in 8-string
- D Mixolydian Pentatonic in Drop C
- D Mixolydian Pentatonic in Drop B
- D Mixolydian Pentatonic in Open D
- D Mixolydian Pentatonic in Open E
- D Mixolydian Pentatonic in Open A
- D Mixolydian Pentatonic in Double Drop D
- D Mixolydian Pentatonic in Open C