F Minor Bebop Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
F Minor Bebop in Half Step Down — Notes and Intervals
The F Minor Bebop scale is a variation used to navigate melodic minor harmonies in a jazz context. On Guitar, it contains the notes F, G, Ab, Bb, C, Db, Eb, E. The added chromatic passing tone allows for sophisticated phrasing and ensures that the tension and resolution points are perfectly timed with the rhythm. Commonly used in Jazz, Fusion, Contemporary. Notable players include Pat Metheny, Mike Stern, John Scofield. Use over mMaj7, m6 chords. Connects melodic minor theory with bebop rhythm for advanced jazz improvisation.
Notes: F, G, Ab, Bb, C, Db, Eb, E
Intervals: 1P, 2M, 3m, 4P, 5P, 6m, 7m, 7M
Degrees: 1 2 b3 4 5 b6 b7 8
Formula: W-H-W-W-H-W-H-H
Number of notes: 8
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Designed for melodic minor harmony — the chromatic passing tone allows sophisticated phrasing over mMaj7 and altered dominant chords.
Explore This Scale in Other Tunings
- F Minor Bebop in Standard Tuning
- F Minor Bebop in Drop D
- F Minor Bebop in DADGAD
- F Minor Bebop in Open G
- F Minor Bebop in Baritone (B Standard)
- F Minor Bebop in 7-string
- F Minor Bebop in 8-string
- F Minor Bebop in Drop C
- F Minor Bebop in Drop B
- F Minor Bebop in Open D
- F Minor Bebop in Open E
- F Minor Bebop in Open A
- F Minor Bebop in Double Drop D
- F Minor Bebop in Open C