F# Double Harmonic Lydian Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
F# Double Harmonic Lydian in Half Step Down — Notes and Intervals
The F# Double Harmonic Lydian scale is a majestic variation that combines Byzantine exoticism with the brightness of the Lydian mode. On Guitar, its notes are F#, G, A#, C, C#, D, F. It creates a powerful, otherworldly sound that is perfect for epic fantasy or sci-fi scores. Commonly used in Film Scores, Fantasy, Progressive Metal. Notable players include Hans Zimmer, Opeth. Use over Maj7#11 chords in epic, fantasy-themed compositions. A specialized cinematic color.
Notes: F#, G, A#, C, C#, D, F
Intervals: 1P, 2m, 3M, 4A, 5P, 6m, 7M
Degrees: 1 b2 3 #4 5 b6 7
Formula: H-WH-W-H-H-WH-H
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Combines the exotic double harmonic structure with the floating Lydian #4 — the result sounds like a fantasy kingdom's royal fanfare.
Explore This Scale in Other Tunings
- F# Double Harmonic Lydian in Standard Tuning
- F# Double Harmonic Lydian in Drop D
- F# Double Harmonic Lydian in DADGAD
- F# Double Harmonic Lydian in Open G
- F# Double Harmonic Lydian in Baritone (B Standard)
- F# Double Harmonic Lydian in 7-string
- F# Double Harmonic Lydian in 8-string
- F# Double Harmonic Lydian in Drop C
- F# Double Harmonic Lydian in Drop B
- F# Double Harmonic Lydian in Open D
- F# Double Harmonic Lydian in Open E
- F# Double Harmonic Lydian in Open A
- F# Double Harmonic Lydian in Double Drop D
- F# Double Harmonic Lydian in Open C