F# Flat Six Pentatonic Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
F# Flat Six Pentatonic in Half Step Down — Notes and Intervals
The F# Flat Six Pentatonic scale is a modern synthetic pentatonic used to imply the sound of the melodic minor system. On Guitar, its notes are F#, G#, A#, C#, D. It provides a poignant and slightly altered texture to major melodies, making it a favorite for contemporary jazz players looking for fresh melodic paths. Commonly used in Contemporary Jazz, Fusion, Post-Bop. Notable players include Pat Metheny, Kurt Rosenwinkel. Use over Maj7, mMaj7, and altered dominant chords. A modern jazz tool for fresh melodic paths.
Notes: F#, G#, A#, C#, D
Intervals: 1P, 2M, 3M, 5P, 6m
Degrees: 1 2 3 4 b5
Formula: W-W-WH-H-4
Number of notes: 5
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Implies the melodic minor sound through only 5 notes, providing a contemporary jazz texture that is slightly altered without being fully 'outside'.
Explore This Scale in Other Tunings
- F# Flat Six Pentatonic in Standard Tuning
- F# Flat Six Pentatonic in Drop D
- F# Flat Six Pentatonic in DADGAD
- F# Flat Six Pentatonic in Open G
- F# Flat Six Pentatonic in Baritone (B Standard)
- F# Flat Six Pentatonic in 7-string
- F# Flat Six Pentatonic in 8-string
- F# Flat Six Pentatonic in Drop C
- F# Flat Six Pentatonic in Drop B
- F# Flat Six Pentatonic in Open D
- F# Flat Six Pentatonic in Open E
- F# Flat Six Pentatonic in Open A
- F# Flat Six Pentatonic in Double Drop D
- F# Flat Six Pentatonic in Open C