F# Ultralocrian Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
F# Ultralocrian in Half Step Down — Notes and Intervals
The F# Ultralocrian scale is an extremely dark and condensed scale used to create intense chromatic tension. On Guitar, its notes are F#, G, A, Bb, C, D, Eb. It is used in avant-garde jazz and dark ambient music to explore the most dissonant boundaries of minor-key tonality. Commonly used in Avant-Garde, Dark Ambient, Experimental Jazz. Notable players include John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.
Notes: F#, G, A, Bb, C, D, Eb
Intervals: 1P, 2m, 3m, 4d, 5d, 6m, 7d
Degrees: 1 b2 b3 4 5 b6 7
Formula: H-W-H-W-W-H-WH
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: superlocrian bb7, superlocrian diminished
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
The darkest mode of the harmonic minor — so dark it has a diminished 4th (bb7), making it almost chromatic. Used to push dissonance to its absolute limit.
Explore This Scale in Other Tunings
- F# Ultralocrian in Standard Tuning
- F# Ultralocrian in Drop D
- F# Ultralocrian in DADGAD
- F# Ultralocrian in Open G
- F# Ultralocrian in Baritone (B Standard)
- F# Ultralocrian in 7-string
- F# Ultralocrian in 8-string
- F# Ultralocrian in Drop C
- F# Ultralocrian in Drop B
- F# Ultralocrian in Open D
- F# Ultralocrian in Open E
- F# Ultralocrian in Open A
- F# Ultralocrian in Double Drop D
- F# Ultralocrian in Open C