G Mixolydian Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
G Mixolydian in Half Step Down — Notes and Intervals
The G Mixolydian scale is the fifth mode of the major scale and the heart of rock and roll and blues. On Guitar, it contains the notes G, A, B, C, D, E, F. It combines the stability of a major sound with a more relaxed, folk-like ending, perfectly suited for soloing over dominant seventh chords and providing a bluesy, soulful vibe to major-key songs. The diatonic chords of G Mixolydian are G7, Am7, Bm7b5, CMaj7, Dm7, Em7, FMaj7. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notes: G, A, B, C, D, E, F
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Degrees: 1 2 3 4 5 6 b7
Formula: W-W-H-W-W-H-W
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: dominant
Diatonic Chords
G7 — Am7 — Bm7♭5 — CMaj7 — Dm7 — Em7 — FMaj7
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
The b7 softens the major scale's resolution, creating a 'relaxed major' that never quite lands. This is the sound of rock and roll — major but with attitude.
Chord Progressions Using This Scale
- bVI – bVII – I (Mario Cadence)World / Game Music — Triumph & Victory
- I – I – I – I – IV – IV – I – I – V – IV – I – V (12 Bar Blues)Blues — Grit & Soul
- I – bVI – bIII – bVII (Epic Borrowed Chords)Contemporary / Film — Epic & Heroic
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
- ♭VII – IV – I (Gospel Walk-Up)Blues — Spiritual & Uplifting
Explore This Scale in Other Tunings
- G Mixolydian in Standard Tuning
- G Mixolydian in Drop D
- G Mixolydian in DADGAD
- G Mixolydian in Open G
- G Mixolydian in Baritone (B Standard)
- G Mixolydian in 7-string
- G Mixolydian in 8-string
- G Mixolydian in Drop C
- G Mixolydian in Drop B
- G Mixolydian in Open D
- G Mixolydian in Open E
- G Mixolydian in Open A
- G Mixolydian in Double Drop D
- G Mixolydian in Open C