G# Leading Whole Tone Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
G# Leading Whole Tone in Half Step Down — Notes and Intervals
The G# Leading Whole Tone scale is a symmetrical scale that combines the weightless blur of the whole-tone system with a final bit of traditional resolution tension. On Guitar, its notes are G#, A#, C, D, E, F#, G. It is used to create a sense of floating that eventually finds a home. Commonly used in Impressionist, Film Scores, Jazz. Notable players include Claude Debussy, Maurice Ravel. Use as a transition device or over augmented chords that need to resolve. The leading tone provides a gentle gravitational pull absent in pure whole tone.
Notes: G#, A#, C, D, E, F#, G
Intervals: 1P, 2M, 3M, 4A, 5A, 7m, 7M
Degrees: 1 2 3 #4 #5 b6 7
Formula: W-W-W-W-W-H-H
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Combines the weightless blur of the whole-tone scale with a final half-step that provides just enough resolution tension — floating that eventually finds a home.
Explore This Scale in Other Tunings
- G# Leading Whole Tone in Standard Tuning
- G# Leading Whole Tone in Drop D
- G# Leading Whole Tone in DADGAD
- G# Leading Whole Tone in Open G
- G# Leading Whole Tone in Baritone (B Standard)
- G# Leading Whole Tone in 7-string
- G# Leading Whole Tone in 8-string
- G# Leading Whole Tone in Drop C
- G# Leading Whole Tone in Drop B
- G# Leading Whole Tone in Open D
- G# Leading Whole Tone in Open E
- G# Leading Whole Tone in Open A
- G# Leading Whole Tone in Double Drop D
- G# Leading Whole Tone in Open C