G# Locrian 6 Guitar Scale
Guitar scale in Half Step Down tuning — fretboard diagram
G# Locrian 6 in Half Step Down — Notes and Intervals
The G# Locrian 6 scale is a rare and dissonant mode that adds a major sixth sparkle to a dark Locrian base. On Guitar, its notes are G#, A, B, C#, D, F, F#. It provides a unique modal variation for experimental compositions and is used to create a sense of distorted major tonality. Commonly used in Experimental, Jazz, Avant-Garde. Notable players include Allan Holdsworth, Steve Coleman. Use over diminished and half-diminished chords in experimental contexts. A modal exploration tool rather than a standard jazz choice.
Notes: G#, A, B, C#, D, F, F#
Intervals: 1P, 2m, 3m, 4P, 5d, 6M, 7m
Degrees: 1 b2 b3 4 5 6 b7
Formula: H-W-W-H-WH-H-W
Number of notes: 7
Tuning: Half Step Down (Eb-Ab-Db-Gb-Bb-Eb)
Also known as: locrian natural 6, locrian sharp 6
About Half Step Down Tuning
Eb Standard tuning lowers every string by one half step (Eb-Ab-Db-Gb-Bb-Eb), producing a slightly darker, heavier tone while keeping all standard chord shapes and scale patterns intact. This tuning has been the default for some of the greatest guitarists in rock and blues history, including Jimi Hendrix, Stevie Ray Vaughan, and Slash.
The half-step drop reduces string tension, making bending easier and giving a warmer, slightly thicker tone. For vocalists, the lower pitch can make singing more comfortable. Jimi Hendrix tuned to Eb on virtually all of his recordings — from 'Voodoo Child (Slight Return)' to 'Little Wing'. Stevie Ray Vaughan paired Eb tuning with very heavy strings to create his legendary thick tone on classics like 'Pride and Joy' and 'Texas Flood'. Slash used Eb for most Guns N' Roses recordings including 'Sweet Child O' Mine' and 'November Rain'. Alice in Chains also recorded extensively in Eb Standard.
Notable artists: Jimi Hendrix, Stevie Ray Vaughan, Slash (Guns N' Roses), Alice in Chains, Nirvana
Best for: Blues-rock, classic rock, and any style where you want easier bending, slightly darker tone, and full compatibility with standard tuning shapes
Musical Character
Adds a major 6th sparkle to the otherwise dark Locrian mode — a contradiction that creates a uniquely unsettled, 'glitchy' quality.
Explore This Scale in Other Tunings
- G# Locrian 6 in Standard Tuning
- G# Locrian 6 in Drop D
- G# Locrian 6 in DADGAD
- G# Locrian 6 in Open G
- G# Locrian 6 in Baritone (B Standard)
- G# Locrian 6 in 7-string
- G# Locrian 6 in 8-string
- G# Locrian 6 in Drop C
- G# Locrian 6 in Drop B
- G# Locrian 6 in Open D
- G# Locrian 6 in Open E
- G# Locrian 6 in Open A
- G# Locrian 6 in Double Drop D
- G# Locrian 6 in Open C