F Whole Tone Guitar Scale
Guitar scale in Open A tuning — fretboard diagram
F Whole Tone in Open A — Notes and Intervals
The F Whole Tone scale, also known as Messiaen's Mode of Limited Transposition #1, is a perfectly symmetrical scale that lacks a tonal center, creating a sense of weightlessness and blur. On Guitar, it contains the notes F, G, A, B, C#, D#. It divides the octave into six equal whole steps, meaning only two unique whole tone scales exist. Popularized by Claude Debussy and used extensively in film scores, it evokes impressionistic, dreamlike atmospheres where no single note feels like home. Use it over augmented triads and 7#5 chords for a floating, surreal effect. Commonly used in Impressionist, Film Scores, Jazz, Ambient, Experimental. Notable players include Claude Debussy, Thelonious Monk, Wayne Shorter, Joe Satriani. Use over augmented triads, 7#5 chords. Perfect for dream sequences, transitions, and any moment where tonality should dissolve.
Notes: F, G, A, B, C#, D#
Intervals: 1P, 2M, 3M, 4A, 5A, 6A
Degrees: 1 2 3 #4 #5 #6
Formula: W-W-W-W-W-W
Number of notes: 6
Tuning: Open A (E-A-E-A-C#-E)
Also known as: messiaen's mode #1
About Open A Tuning
Open A tuning (E-A-E-A-C#-E) produces an A major chord when strummed open. It is structurally identical to Open G tuned up one whole step, delivering a brighter, more tense sound that works particularly well for slide guitar centered on the key of A.
Jimmy Page used Open A with a slide on Led Zeppelin's 'In My Time of Dying' from Physical Graffiti (1975). Rory Gallagher also employed Open A for his raw, energetic slide work. Many players achieve Open A by simply placing a capo at the 2nd fret in Open G tuning, which is why dedicated Open A usage is less commonly discussed. However, without a capo, Open A gives direct access to the open A string resonance and a different feel under the fingers due to the higher tension.
Notable artists: Jimmy Page, Rory Gallagher, Delta blues players
Best for: Slide guitar in the key of A, blues playing, and situations where you need the brightness of Open G tuned up without a capo
Musical Character
Divides the octave into 6 equal whole steps — no half steps means no tension, no resolution, no tonal center. Only 2 possible whole tone scales exist (starting on C or C#).
Chord Progressions Using This Scale
- I – I+ – I6 – I7 (Ascending Augmented)Classical / Pop — Hopeful & Yearning
Explore This Scale in Other Tunings
- F Whole Tone in Standard Tuning
- F Whole Tone in Drop D
- F Whole Tone in DADGAD
- F Whole Tone in Open G
- F Whole Tone in Baritone (B Standard)
- F Whole Tone in 7-string
- F Whole Tone in 8-string
- F Whole Tone in Drop C
- F Whole Tone in Drop B
- F Whole Tone in Open D
- F Whole Tone in Half Step Down
- F Whole Tone in Open E
- F Whole Tone in Double Drop D
- F Whole Tone in Open C