G Mixolydian Guitar Scale
Guitar scale in Open A tuning — fretboard diagram
G Mixolydian in Open A — Notes and Intervals
The G Mixolydian scale is the fifth mode of the major scale and the heart of rock and roll and blues. On Guitar, it contains the notes G, A, B, C, D, E, F. It combines the stability of a major sound with a more relaxed, folk-like ending, perfectly suited for soloing over dominant seventh chords and providing a bluesy, soulful vibe to major-key songs. The diatonic chords of G Mixolydian are G7, Am7, Bm7b5, CMaj7, Dm7, Em7, FMaj7. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notes: G, A, B, C, D, E, F
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Degrees: 1 2 3 4 5 6 b7
Formula: W-W-H-W-W-H-W
Number of notes: 7
Tuning: Open A (E-A-E-A-C#-E)
Also known as: dominant
Diatonic Chords
G7 — Am7 — Bm7♭5 — CMaj7 — Dm7 — Em7 — FMaj7
About Open A Tuning
Open A tuning (E-A-E-A-C#-E) produces an A major chord when strummed open. It is structurally identical to Open G tuned up one whole step, delivering a brighter, more tense sound that works particularly well for slide guitar centered on the key of A.
Jimmy Page used Open A with a slide on Led Zeppelin's 'In My Time of Dying' from Physical Graffiti (1975). Rory Gallagher also employed Open A for his raw, energetic slide work. Many players achieve Open A by simply placing a capo at the 2nd fret in Open G tuning, which is why dedicated Open A usage is less commonly discussed. However, without a capo, Open A gives direct access to the open A string resonance and a different feel under the fingers due to the higher tension.
Notable artists: Jimmy Page, Rory Gallagher, Delta blues players
Best for: Slide guitar in the key of A, blues playing, and situations where you need the brightness of Open G tuned up without a capo
Musical Character
The b7 softens the major scale's resolution, creating a 'relaxed major' that never quite lands. This is the sound of rock and roll — major but with attitude.
Chord Progressions Using This Scale
- bVI – bVII – I (Mario Cadence)World / Game Music — Triumph & Victory
- I – I – I – I – IV – IV – I – I – V – IV – I – V (12 Bar Blues)Blues — Grit & Soul
- I – bVI – bIII – bVII (Epic Borrowed Chords)Contemporary / Film — Epic & Heroic
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
- ♭VII – IV – I (Gospel Walk-Up)Blues — Spiritual & Uplifting
Explore This Scale in Other Tunings
- G Mixolydian in Standard Tuning
- G Mixolydian in Drop D
- G Mixolydian in DADGAD
- G Mixolydian in Open G
- G Mixolydian in Baritone (B Standard)
- G Mixolydian in 7-string
- G Mixolydian in 8-string
- G Mixolydian in Drop C
- G Mixolydian in Drop B
- G Mixolydian in Open D
- G Mixolydian in Half Step Down
- G Mixolydian in Open E
- G Mixolydian in Double Drop D
- G Mixolydian in Open C