D Hungarian Minor Guitar Scale
Guitar scale in Open C tuning — fretboard diagram
D Hungarian Minor in Open C — Notes and Intervals
The D Hungarian Minor scale, also known as the Gypsy Minor, is famous for its two wide melodic gaps. On Guitar, its notes are D, E, F, G#, A, Bb, C#. It sounds powerful, mysterious, and perfectly balanced, frequently appearing in classical masterworks and modern melodic metal. Commonly used in Classical, Metal, Klezmer, Film Scores, Gypsy Jazz. Notable players include Franz Liszt, Yngwie Malmsteen, Marty Friedman, Django Reinhardt. Use over m chords in gypsy jazz and neoclassical metal. Works beautifully over i-V progressions in minor keys.
Notes: D, E, F, G#, A, Bb, C#
Intervals: 1P, 2M, 3m, 4A, 5P, 6m, 7M
Degrees: 1 2 b3 #4 5 b6 7
Formula: W-H-WH-H-H-WH-H
Number of notes: 7
Tuning: Open C (C-G-C-G-C-E)
About Open C Tuning
Open C tuning (C-G-C-G-C-E) produces a C major chord when strummed open, with an enormous bass depth from the low C string (two whole steps below standard E). The tuning spans a vast tonal range that gives compositions an almost orchestral scope, making it a favorite for both delicate fingerstyle and crushing heavy music.
John Butler's 'Ocean' — one of the most famous modern fingerstyle compositions — is performed in Open C, showcasing the tuning's incredible dynamic range from thundering bass to shimmering harmonics. Devin Townsend uses Open C extensively across his catalog for its massive, wall-of-sound potential. Jimmy Page used it on Led Zeppelin's 'Friends' from Led Zeppelin III. Soundgarden also explored Open C. The three C strings and two G strings create powerful octave resonances that make even simple chord shapes sound huge.
Notable artists: John Butler, Devin Townsend, Jimmy Page (Led Zeppelin), Soundgarden, William Ackerman
Best for: Cinematic fingerstyle compositions, progressive metal walls of sound, post-rock textures, and any music that needs enormous tonal range from deep bass to bright treble
Musical Character
Contains TWO augmented 2nd intervals (b3-#4 and b6-7), giving it an unmistakable double-exotic quality. These 'leaps' are what make it sound simultaneously Eastern European and Middle Eastern.
Explore This Scale in Other Tunings
- D Hungarian Minor in Standard Tuning
- D Hungarian Minor in Drop D
- D Hungarian Minor in DADGAD
- D Hungarian Minor in Open G
- D Hungarian Minor in Baritone (B Standard)
- D Hungarian Minor in 7-string
- D Hungarian Minor in 8-string
- D Hungarian Minor in Drop C
- D Hungarian Minor in Drop B
- D Hungarian Minor in Open D
- D Hungarian Minor in Half Step Down
- D Hungarian Minor in Open E
- D Hungarian Minor in Open A
- D Hungarian Minor in Double Drop D