D Prometheus Guitar Scale
Guitar scale in Open C tuning — fretboard diagram
D Prometheus in Open C — Notes and Intervals
The D Prometheus scale was developed by the composer Alexander Scriabin as his Mystic Scale. On Guitar, the notes are D, E, F#, G#, B, C. It is a synthetic hexatonic system designed to reflect his theosophical beliefs and reveal spiritual truths that exist beyond human conceptualization. Commonly used in Contemporary Classical, Impressionist, Experimental, Film Scores. Notable players include Alexander Scriabin, George Crumb. Use over the Mystic Chord (C-F#-Bb-E-A-D) and its inversions. Also works over 7#11 chords as a sophisticated alternative to Lydian Dominant.
Notes: D, E, F#, G#, B, C
Intervals: 1P, 2M, 3M, 4A, 6M, 7m
Degrees: 1 2 3 #4 5 b6
Formula: W-W-W-WH-H-W
Number of notes: 6
Tuning: Open C (C-G-C-G-C-E)
About Open C Tuning
Open C tuning (C-G-C-G-C-E) produces a C major chord when strummed open, with an enormous bass depth from the low C string (two whole steps below standard E). The tuning spans a vast tonal range that gives compositions an almost orchestral scope, making it a favorite for both delicate fingerstyle and crushing heavy music.
John Butler's 'Ocean' — one of the most famous modern fingerstyle compositions — is performed in Open C, showcasing the tuning's incredible dynamic range from thundering bass to shimmering harmonics. Devin Townsend uses Open C extensively across his catalog for its massive, wall-of-sound potential. Jimmy Page used it on Led Zeppelin's 'Friends' from Led Zeppelin III. Soundgarden also explored Open C. The three C strings and two G strings create powerful octave resonances that make even simple chord shapes sound huge.
Notable artists: John Butler, Devin Townsend, Jimmy Page (Led Zeppelin), Soundgarden, William Ackerman
Best for: Cinematic fingerstyle compositions, progressive metal walls of sound, post-rock textures, and any music that needs enormous tonal range from deep bass to bright treble
Musical Character
Scriabin's 'Mystic Chord' turned into a scale (1, 2, 3, #4, 6, b7). Designed to reflect theosophical beliefs about spiritual transcendence — neither major nor minor, but something beyond both.
Explore This Scale in Other Tunings
- D Prometheus in Standard Tuning
- D Prometheus in Drop D
- D Prometheus in DADGAD
- D Prometheus in Open G
- D Prometheus in Baritone (B Standard)
- D Prometheus in 7-string
- D Prometheus in 8-string
- D Prometheus in Drop C
- D Prometheus in Drop B
- D Prometheus in Open D
- D Prometheus in Half Step Down
- D Prometheus in Open E
- D Prometheus in Open A
- D Prometheus in Double Drop D