F# Enigmatic Guitar Scale
Guitar scale in Open C tuning — fretboard diagram
F# Enigmatic in Open C — Notes and Intervals
The F# Enigmatic scale was invented as a musical puzzle and famously used by Giuseppe Verdi. On Guitar, the notes are F#, G, A#, C, D, E, F. It has an unstable and surreal sound because it lacks the traditional fourth and fifth degrees, creating a gliding effect that challenges the listener's expectations. Commonly used in Classical, Experimental, Film Scores. Notable players include Giuseppe Verdi, Igor Stravinsky. Not chord-specific — this is a melodic scale for creating surreal, non-functional passages. Use over sustained pedal tones or atonal contexts.
Notes: F#, G, A#, C, D, E, F
Intervals: 1P, 2m, 3M, 5d, 6m, 7m, 7M
Degrees: 1 b2 3 4 b5 b6 7
Formula: H-WH-W-W-W-H-H
Number of notes: 7
Tuning: Open C (C-G-C-G-C-E)
About Open C Tuning
Open C tuning (C-G-C-G-C-E) produces a C major chord when strummed open, with an enormous bass depth from the low C string (two whole steps below standard E). The tuning spans a vast tonal range that gives compositions an almost orchestral scope, making it a favorite for both delicate fingerstyle and crushing heavy music.
John Butler's 'Ocean' — one of the most famous modern fingerstyle compositions — is performed in Open C, showcasing the tuning's incredible dynamic range from thundering bass to shimmering harmonics. Devin Townsend uses Open C extensively across his catalog for its massive, wall-of-sound potential. Jimmy Page used it on Led Zeppelin's 'Friends' from Led Zeppelin III. Soundgarden also explored Open C. The three C strings and two G strings create powerful octave resonances that make even simple chord shapes sound huge.
Notable artists: John Butler, Devin Townsend, Jimmy Page (Led Zeppelin), Soundgarden, William Ackerman
Best for: Cinematic fingerstyle compositions, progressive metal walls of sound, post-rock textures, and any music that needs enormous tonal range from deep bass to bright treble
Musical Character
Invented as a musical puzzle — lacks the traditional 4th and 5th degrees, creating a gliding, rootless sensation. Verdi used it in his Ave Maria to challenge conventional harmony.
Explore This Scale in Other Tunings
- F# Enigmatic in Standard Tuning
- F# Enigmatic in Drop D
- F# Enigmatic in DADGAD
- F# Enigmatic in Open G
- F# Enigmatic in Baritone (B Standard)
- F# Enigmatic in 7-string
- F# Enigmatic in 8-string
- F# Enigmatic in Drop C
- F# Enigmatic in Drop B
- F# Enigmatic in Open D
- F# Enigmatic in Half Step Down
- F# Enigmatic in Open E
- F# Enigmatic in Open A
- F# Enigmatic in Double Drop D