F# Mixolydian B6 Guitar Scale
Guitar scale in Open C tuning — fretboard diagram
F# Mixolydian B6 in Open C — Notes and Intervals
The F# Mixolydian B6 scale is a melancholic dominant scale used when a song is in a major key but the dominant chord needs to resolve into a minor key. On Guitar, the notes are F#, G#, A#, B, C#, D, E. It provides a bridge between the bright major and the sad minor worlds, perfect for emotional transitions. Commonly used in Jazz, Film Scores, Classical, Melodic Metal. Notable players include Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notes: F#, G#, A#, B, C#, D, E
Intervals: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Degrees: 1 2 3 4 5 b6 b7
Formula: W-W-H-W-H-W-W
Number of notes: 7
Tuning: Open C (C-G-C-G-C-E)
Also known as: melodic minor fifth mode, hindu
About Open C Tuning
Open C tuning (C-G-C-G-C-E) produces a C major chord when strummed open, with an enormous bass depth from the low C string (two whole steps below standard E). The tuning spans a vast tonal range that gives compositions an almost orchestral scope, making it a favorite for both delicate fingerstyle and crushing heavy music.
John Butler's 'Ocean' — one of the most famous modern fingerstyle compositions — is performed in Open C, showcasing the tuning's incredible dynamic range from thundering bass to shimmering harmonics. Devin Townsend uses Open C extensively across his catalog for its massive, wall-of-sound potential. Jimmy Page used it on Led Zeppelin's 'Friends' from Led Zeppelin III. Soundgarden also explored Open C. The three C strings and two G strings create powerful octave resonances that make even simple chord shapes sound huge.
Notable artists: John Butler, Devin Townsend, Jimmy Page (Led Zeppelin), Soundgarden, William Ackerman
Best for: Cinematic fingerstyle compositions, progressive metal walls of sound, post-rock textures, and any music that needs enormous tonal range from deep bass to bright treble
Musical Character
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.
Explore This Scale in Other Tunings
- F# Mixolydian B6 in Standard Tuning
- F# Mixolydian B6 in Drop D
- F# Mixolydian B6 in DADGAD
- F# Mixolydian B6 in Open G
- F# Mixolydian B6 in Baritone (B Standard)
- F# Mixolydian B6 in 7-string
- F# Mixolydian B6 in 8-string
- F# Mixolydian B6 in Drop C
- F# Mixolydian B6 in Drop B
- F# Mixolydian B6 in Open D
- F# Mixolydian B6 in Half Step Down
- F# Mixolydian B6 in Open E
- F# Mixolydian B6 in Open A
- F# Mixolydian B6 in Double Drop D