A# Minor Six Pentatonic Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
A# Minor Six Pentatonic in Open E — Notes and Intervals
The A# Minor Six Pentatonic scale is a variation of the minor pentatonic that introduces a major sixth, giving it a Dorian flavor. On Guitar, the notes are A#, C#, D#, F, G. It is more sophisticated and soulful than the standard minor pentatonic and is frequently used in jazz and fusion to outline minor chords with a brighter edge. Commonly used in Jazz, Fusion, Neo-Soul, R&B. Notable players include Wes Montgomery, George Benson, Erykah Badu. Use over m6, m7, mMaj7 chords. Adds a jazz sophistication to minor chord soloing without fully committing to a 7-note scale.
Notes: A#, C#, D#, F, G
Intervals: 1P, 3m, 4P, 5P, 6M
Degrees: 1 b2 3 4 5
Formula: WH-W-W-W-WH
Number of notes: 5
Tuning: Open E (E-B-E-G#-B-E)
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
By replacing the b7 of the minor pentatonic with a natural 6th, this scale gains a Dorian flavor — brighter and more sophisticated than standard minor pentatonic.
Chord Progressions Using This Scale
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explore This Scale in Other Tunings
- A# Minor Six Pentatonic in Standard Tuning
- A# Minor Six Pentatonic in Drop D
- A# Minor Six Pentatonic in DADGAD
- A# Minor Six Pentatonic in Open G
- A# Minor Six Pentatonic in Baritone (B Standard)
- A# Minor Six Pentatonic in 7-string
- A# Minor Six Pentatonic in 8-string
- A# Minor Six Pentatonic in Drop C
- A# Minor Six Pentatonic in Drop B
- A# Minor Six Pentatonic in Open D
- A# Minor Six Pentatonic in Half Step Down
- A# Minor Six Pentatonic in Open A
- A# Minor Six Pentatonic in Double Drop D
- A# Minor Six Pentatonic in Open C