A# Mixolydian B6 Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
A# Mixolydian B6 in Open E — Notes and Intervals
The A# Mixolydian B6 scale is a melancholic dominant scale used when a song is in a major key but the dominant chord needs to resolve into a minor key. On Guitar, the notes are A#, C, D, D#, F, F#, G#. It provides a bridge between the bright major and the sad minor worlds, perfect for emotional transitions. Commonly used in Jazz, Film Scores, Classical, Melodic Metal. Notable players include Hans Zimmer, Ennio Morricone. Use over dominant 7th chords that resolve to minor (V7 → im). The scale that bridges major happiness and minor sadness.
Notes: A#, C, D, D#, F, F#, G#
Intervals: 1P, 2M, 3M, 4P, 5P, 6m, 7m
Degrees: 1 2 3 4 5 b6 b7
Formula: W-W-H-W-H-W-W
Number of notes: 7
Tuning: Open E (E-B-E-G#-B-E)
Also known as: melodic minor fifth mode, hindu
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
A 'sad dominant' — major 3rd says happy, b6 says sad, b7 says dominant. This emotional contradiction makes it perfect for scenes of bittersweet triumph or pyrrhic victory.
Explore This Scale in Other Tunings
- A# Mixolydian B6 in Standard Tuning
- A# Mixolydian B6 in Drop D
- A# Mixolydian B6 in DADGAD
- A# Mixolydian B6 in Open G
- A# Mixolydian B6 in Baritone (B Standard)
- A# Mixolydian B6 in 7-string
- A# Mixolydian B6 in 8-string
- A# Mixolydian B6 in Drop C
- A# Mixolydian B6 in Drop B
- A# Mixolydian B6 in Open D
- A# Mixolydian B6 in Half Step Down
- A# Mixolydian B6 in Open A
- A# Mixolydian B6 in Double Drop D
- A# Mixolydian B6 in Open C