A# Prometheus Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
A# Prometheus in Open E — Notes and Intervals
The A# Prometheus scale was developed by the composer Alexander Scriabin as his Mystic Scale. On Guitar, the notes are A#, C, D, E, G, G#. It is a synthetic hexatonic system designed to reflect his theosophical beliefs and reveal spiritual truths that exist beyond human conceptualization. Commonly used in Contemporary Classical, Impressionist, Experimental, Film Scores. Notable players include Alexander Scriabin, George Crumb. Use over the Mystic Chord (C-F#-Bb-E-A-D) and its inversions. Also works over 7#11 chords as a sophisticated alternative to Lydian Dominant.
Notes: A#, C, D, E, G, G#
Intervals: 1P, 2M, 3M, 4A, 6M, 7m
Degrees: 1 2 3 #4 5 b6
Formula: W-W-W-WH-H-W
Number of notes: 6
Tuning: Open E (E-B-E-G#-B-E)
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
Scriabin's 'Mystic Chord' turned into a scale (1, 2, 3, #4, 6, b7). Designed to reflect theosophical beliefs about spiritual transcendence — neither major nor minor, but something beyond both.
Explore This Scale in Other Tunings
- A# Prometheus in Standard Tuning
- A# Prometheus in Drop D
- A# Prometheus in DADGAD
- A# Prometheus in Open G
- A# Prometheus in Baritone (B Standard)
- A# Prometheus in 7-string
- A# Prometheus in 8-string
- A# Prometheus in Drop C
- A# Prometheus in Drop B
- A# Prometheus in Open D
- A# Prometheus in Half Step Down
- A# Prometheus in Open A
- A# Prometheus in Double Drop D
- A# Prometheus in Open C