A# Six Tone Symmetric Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
A# Six Tone Symmetric in Open E — Notes and Intervals
The A# Six Tone Symmetric scale is a mathematical abstraction that divides the octave into six equal parts. On Guitar, its notes are A#, B, D, D#, E##, G. It lacks a tonic or a home note, making it perfect for modern composers who want to avoid traditional keys and explore total tonal suspension. Commonly used in Contemporary Classical, Experimental, Avant-Garde. Notable players include Bela Bartok, Olivier Messiaen. Use for atonal or polytonal composition. Not chord-specific — this is a tool for breaking free of traditional harmony.
Notes: A#, B, D, D#, E##, G
Intervals: 1P, 2m, 3M, 4P, 5A, 6M
Degrees: 1 b2 3 4 #5 6
Formula: H-WH-H-WH-H-WH
Number of notes: 6
Tuning: Open E (E-B-E-G#-B-E)
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
Divides the octave into 6 mathematically equal parts — a scale without a home. Perfect for composers who want to intentionally avoid any tonal center.
Explore This Scale in Other Tunings
- A# Six Tone Symmetric in Standard Tuning
- A# Six Tone Symmetric in Drop D
- A# Six Tone Symmetric in DADGAD
- A# Six Tone Symmetric in Open G
- A# Six Tone Symmetric in Baritone (B Standard)
- A# Six Tone Symmetric in 7-string
- A# Six Tone Symmetric in 8-string
- A# Six Tone Symmetric in Drop C
- A# Six Tone Symmetric in Drop B
- A# Six Tone Symmetric in Open D
- A# Six Tone Symmetric in Half Step Down
- A# Six Tone Symmetric in Open A
- A# Six Tone Symmetric in Double Drop D
- A# Six Tone Symmetric in Open C