D Dorian Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
D Dorian in Open E — Notes and Intervals
The D Dorian scale is the second mode of the major scale, offering a soulful and sophisticated minor sound. On Guitar, it contains the notes D, E, F, G, A, B, C. Because it features a major sixth, it sounds brighter and more hopeful than the natural minor. It is the go-to scale for jazz, funk, and modal blues. The diatonic chords of D Dorian are Dm7, Em7, FMaj7, G7, Am7, Bm7b5, CMaj7. Commonly used in Funk, Jazz, Fusion, Neo-Soul, Blues. Notable players include Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notes: D, E, F, G, A, B, C
Intervals: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Degrees: 1 2 b3 4 5 6 b7
Formula: W-H-W-W-W-H-W
Number of notes: 7
Tuning: Open E (E-B-E-G#-B-E)
Diatonic Chords
Dm7 — Em7 — FMaj7 — G7 — Am7 — Bm7♭5 — CMaj7
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.
Chord Progressions Using This Scale
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- i – iv – i – V (Minor Blues)Blues — Melancholy
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected