E Lydian Dominant Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
E Lydian Dominant in Open E — Notes and Intervals
The E Lydian Dominant scale, also known as the Acoustic scale, sounds bright, quirky, and dominant all at once. On Guitar, its notes are E, F#, G#, A#, B, C#, D. It is widely used in jazz and animation music to solo over dominant chords that do not resolve in the traditional way. Commonly used in Jazz, Fusion, Blues, Film Scores. Notable players include Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notes: E, F#, G#, A#, B, C#, D
Intervals: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Degrees: 1 2 3 #4 5 6 b7
Formula: W-W-W-H-W-H-W
Number of notes: 7
Tuning: Open E (E-B-E-G#-B-E)
Also known as: lydian b7, overtone
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
Combines Lydian's floating brightness (#4) with Mixolydian's bluesy dominance (b7). The result is a scale that is both dreamy and grounded — bright without being sweet.
Chord Progressions Using This Scale
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected
Explore This Scale in Other Tunings
- E Lydian Dominant in Standard Tuning
- E Lydian Dominant in Drop D
- E Lydian Dominant in DADGAD
- E Lydian Dominant in Open G
- E Lydian Dominant in Baritone (B Standard)
- E Lydian Dominant in 7-string
- E Lydian Dominant in 8-string
- E Lydian Dominant in Drop C
- E Lydian Dominant in Drop B
- E Lydian Dominant in Open D
- E Lydian Dominant in Half Step Down
- E Lydian Dominant in Open A
- E Lydian Dominant in Double Drop D
- E Lydian Dominant in Open C