F# Locrian #2 Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
F# Locrian #2 in Open E — Notes and Intervals
The F# Locrian #2 scale is a more usable and consonant version of the standard Locrian mode. On Guitar, it contains the notes F#, G#, A, B, C, D, E. It is the preferred choice for jazz musicians soloing over half-diminished chords, as its natural second degree allows for much smoother and more melodic voice leading. Commonly used in Jazz, Post-Bop, Contemporary. Notable players include John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).
Notes: F#, G#, A, B, C, D, E
Intervals: 1P, 2M, 3m, 4P, 5d, 6m, 7m
Degrees: 1 2 b3 4 5 b6 b7
Formula: W-H-W-H-W-W-W
Number of notes: 7
Tuning: Open E (E-B-E-G#-B-E)
Also known as: half-diminished, aeolian b5
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
The natural 2nd degree (vs b2 in standard Locrian) makes this vastly more usable — smoother voice leading while retaining the essential b5 for half-diminished harmony.
Explore This Scale in Other Tunings
- F# Locrian #2 in Standard Tuning
- F# Locrian #2 in Drop D
- F# Locrian #2 in DADGAD
- F# Locrian #2 in Open G
- F# Locrian #2 in Baritone (B Standard)
- F# Locrian #2 in 7-string
- F# Locrian #2 in 8-string
- F# Locrian #2 in Drop C
- F# Locrian #2 in Drop B
- F# Locrian #2 in Open D
- F# Locrian #2 in Half Step Down
- F# Locrian #2 in Open A
- F# Locrian #2 in Double Drop D
- F# Locrian #2 in Open C