F# Phrygian Dominant Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
F# Phrygian Dominant in Open E — Notes and Intervals
The F# Phrygian Dominant scale, also known as the Spanish Gypsy scale, is the definitive sound of Flamenco, Klezmer, and Middle Eastern music. On Guitar, the notes are F#, G, A#, B, C#, D, E. It sounds exotic, passionate, and aggressive, and is a favorite for metal guitarists and composers of high-drama scores. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola. Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.
Notes: F#, G, A#, B, C#, D, E
Intervals: 1P, 2m, 3M, 4P, 5P, 6m, 7m
Degrees: 1 b2 3 4 5 b6 b7
Formula: H-WH-H-W-H-W-W
Number of notes: 7
Tuning: Open E (E-B-E-G#-B-E)
Also known as: spanish, phrygian major
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
The major 3rd within a Phrygian framework (b2, b6, b7) creates a scale that sounds simultaneously 'eastern' and 'powerful'. The b2-3 interval (augmented 2nd) is its signature exotic leap.
Chord Progressions Using This Scale
- i – VII – VI – V (Andalusian Cadence)World / Flamenco — Tension & Drama
Explore This Scale in Other Tunings
- F# Phrygian Dominant in Standard Tuning
- F# Phrygian Dominant in Drop D
- F# Phrygian Dominant in DADGAD
- F# Phrygian Dominant in Open G
- F# Phrygian Dominant in Baritone (B Standard)
- F# Phrygian Dominant in 7-string
- F# Phrygian Dominant in 8-string
- F# Phrygian Dominant in Drop C
- F# Phrygian Dominant in Drop B
- F# Phrygian Dominant in Open D
- F# Phrygian Dominant in Half Step Down
- F# Phrygian Dominant in Open A
- F# Phrygian Dominant in Double Drop D
- F# Phrygian Dominant in Open C