G# Mixolydian Guitar Scale
Guitar scale in Open E tuning — fretboard diagram
G# Mixolydian in Open E — Notes and Intervals
The G# Mixolydian scale is the fifth mode of the major scale and the heart of rock and roll and blues. On Guitar, it contains the notes G#, A#, C, C#, D#, F, F#. It combines the stability of a major sound with a more relaxed, folk-like ending, perfectly suited for soloing over dominant seventh chords and providing a bluesy, soulful vibe to major-key songs. The diatonic chords of G# Mixolydian are G#7, A#m7, Cm7b5, C#Maj7, D#m7, Fm7, F#Maj7. Commonly used in Blues, Rock, Country, Folk, Funk. Notable players include Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notes: G#, A#, C, C#, D#, F, F#
Intervals: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Degrees: 1 2 3 4 5 6 b7
Formula: W-W-H-W-W-H-W
Number of notes: 7
Tuning: Open E (E-B-E-G#-B-E)
Also known as: dominant
Diatonic Chords
G♯7 — A♯m7 — Cm7♭5 — C♯Maj7 — D♯m7 — Fm7 — F♯Maj7
About Open E Tuning
Open E tuning (E-B-E-G#-B-E) produces a bright, full E major chord when strummed open. Structurally identical to Open D but tuned a whole step higher, Open E delivers a snappier, more cutting tone that has defined the sound of electric slide guitar in blues-rock and Southern rock.
Duane Allman used Open E on the Allman Brothers Band's legendary 'Statesboro Blues' and 'At Fillmore East' recordings, establishing it as the definitive electric slide tuning. Derek Trucks carries on this tradition as one of the greatest living slide guitarists. The Black Crowes used Open E for 'She Talks to Angels'. Because three strings are tuned UP from standard (the 3rd, 4th, and 5th), Open E puts more tension on the neck than Open D — this is why many acoustic players prefer Open D, while electric players favor Open E for its brighter bite.
Notable artists: Duane Allman, Derek Trucks, The Black Crowes, Bob Dylan, Lynyrd Skynyrd
Best for: Electric slide guitar, Southern rock, blues-rock, and any style that needs bright, singing slide tone with the tonal center of E
Musical Character
The b7 softens the major scale's resolution, creating a 'relaxed major' that never quite lands. This is the sound of rock and roll — major but with attitude.
Chord Progressions Using This Scale
- bVI – bVII – I (Mario Cadence)World / Game Music — Triumph & Victory
- I – I – I – I – IV – IV – I – I – V – IV – I – V (12 Bar Blues)Blues — Grit & Soul
- I – bVI – bIII – bVII (Epic Borrowed Chords)Contemporary / Film — Epic & Heroic
- I – ♭VII – IV (Classic Rock Loop)Pop / Rock — Energy & Drive
- I – VI7 – II7 – V (Ragtime Cycle)Jazz / Soul — Playful & Vintage
- ♭VII – IV – I (Gospel Walk-Up)Blues — Spiritual & Uplifting
Explore This Scale in Other Tunings
- G# Mixolydian in Standard Tuning
- G# Mixolydian in Drop D
- G# Mixolydian in DADGAD
- G# Mixolydian in Open G
- G# Mixolydian in Baritone (B Standard)
- G# Mixolydian in 7-string
- G# Mixolydian in 8-string
- G# Mixolydian in Drop C
- G# Mixolydian in Drop B
- G# Mixolydian in Open D
- G# Mixolydian in Half Step Down
- G# Mixolydian in Open A
- G# Mixolydian in Double Drop D
- G# Mixolydian in Open C