C# Dorian Guitar Scale
Guitar scale in Open G tuning — fretboard diagram
C# Dorian in Open G — Notes and Intervals
The C# Dorian scale is the second mode of the major scale, offering a soulful and sophisticated minor sound. On Guitar, it contains the notes C#, D#, E, F#, G#, A#, B. Because it features a major sixth, it sounds brighter and more hopeful than the natural minor. It is the go-to scale for jazz, funk, and modal blues. The diatonic chords of C# Dorian are C#m7, D#m7, EMaj7, F#7, G#m7, A#m7b5, BMaj7. Commonly used in Funk, Jazz, Fusion, Neo-Soul, Blues. Notable players include Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notes: C#, D#, E, F#, G#, A#, B
Intervals: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Degrees: 1 2 b3 4 5 6 b7
Formula: W-H-W-W-W-H-W
Number of notes: 7
Tuning: Open G (D-G-D-G-B-D)
Diatonic Chords
C♯m7 — D♯m7 — EMaj7 — F♯7 — G♯m7 — A♯m7♭5 — BMaj7
About Open G Tuning
Open G tuning (D-G-D-G-B-D) produces a G major chord when strummed open, making it the definitive tuning for slide guitar and delta blues. The tuning's natural consonance means that barring across any fret gives you a major chord, which is why it's been the backbone of blues and roots music for over a century.
From Robert Johnson to Keith Richards, Open G has shaped some of the most iconic music ever recorded. Keith Richards famously removes the low 6th string entirely in this tuning, creating his signature five-string sound on songs like 'Start Me Up' and 'Brown Sugar'. For slide players, Open G is essential — it allows clean, singing slide lines across all strings with minimal effort.
Notable artists: Keith Richards, Robert Johnson, Ry Cooder, Joni Mitchell, The Black Crowes
Best for: Slide guitar, delta blues, Keith Richards-style rock riffs, and open-string fingerpicking
Musical Character
The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.
Chord Progressions Using This Scale
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- i – iv – i – V (Minor Blues)Blues — Melancholy
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected