All Or Nothing At All in Mi

Arthur Altman()balladModerately Slow
A
A
B
A

Chord Diagrams — All Or Nothing At All in Mi (Guitar)

Do♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
Do♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Do♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
Re9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Re6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Reaug
EADGBExx231
3frEADGBE11x32x7frEADGBE11432x10frEADGBE1x423x
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Sim
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
Fa♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Re♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Fa♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Si711
Mi
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
Mi6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
Do
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
Doaug
EADGBE11x32x
3frEADGBEx1423x5frEADGBE11432x8frEADGBExx4231
Do6
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Fa
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
Sol9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Solaug
EADGBE321x
3frEADGBE1x423x4frEADGBE11xx2x8frEADGBE11x32x
Rem7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Sim7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Lam
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2

All Or Nothing At All in Mi

All Or Nothing At All in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to C# (ascending unison), C# to D (ascending half step), D to D (ascending unison), D to D (ascending unison), D to D (ascending unison), D to B (descending minor third), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to C (descending major third), C to C (ascending unison), C to C (ascending unison), C to G (descending perfect fourth), G to F (descending whole step), F to G (ascending whole step), G to G (ascending unison), G to D (descending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to C# by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 64 bars · Form: AABA

Chords: Do♯m, Do♯m7, Do♯m6, Re9, Re6, Reaug, Re7, Sim, Sol♯m7♭5, Do♯7♭9, Fa♯m, Re♯m7♭5, Sol♯7, Fa♯m7♭5, Si711, Mi, Mi6, Do, Doaug, Do6, Sol7, Fa, Sol9, Solaug, Rem7, Sim7♭5, Mi7, Lam, Fa7.

Scales for Improvisation Mi bebop, Mi bebop major.